Suffolk County Community College , Seldon , NY , “The West Side Meets the East End ”
Dunedin Fine Art Center , Dunedin , FL , “Shaping Space: Drawings by Six Contemporary Sculptors”
Hunterdon Museum , Clifton , NJ , “Form and Space: A Dialogue”
Elena Zang Gallery, Shady, NY, Outdoor Sculpture Show 1998
Grounds for Sculpture, Hamilton , NJ , Spring exhibition
Kouros Sculpture Center , Ridgefield , Ct. Outdoor exhibition
Jeffrey Coploff Gallery , New York , NY, “Small”
Elena Zang Gallery, Shady, NY, “Miniatures and More”

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Genest Gallery Sculpture Garden, Lambertville , NJ , Outdoor exhibition
Lever-Myerson Gallery, NYC, "Modern and Contemporary Masters"
Sandra Gering Fine Arts, Oyster Bay , NY
Genest Gallery Sculpture Garden, Lambertville , NJ , Outdoor exhibition

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50 West Gallery, NYC, "Sculpture and Abstraction"
Cheltenham Art Center , Beaver College , Philadelphia , PA , "Sculpture Outdoors"
Sandra Gering Fine Arts, Oyster Bay , NY
Genest Gallery, Lambertville , NJ

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Sheffield , Margaret. “Don Porcaro at Kouros Gallery.” Sculpture Magazine , April, 2001.

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Bischoff, Dan. “Sculptors share space at museum.” The Star-Ledger ,March 6, 1998 .
Marger, Mary Ann. “Not by sculpture alone...” St. Petersburg Times , September 4, 1998 .
Milani, Joanne. “Area art museums offering mixture of texture, technology.”The Tampa Tribune Times , September 13, 1998 .
Mullen, Rachel. “Form and space, and an artist's journey.” Hunterdon Review March 25, 1998 .
Schwabsky, Barry. “Form and Space: A Dialogue at Hunterdon Museum of Art”The New York Times , March 29, 1998
Jinkner-Lloyd, Amy. “Southern Exposure.” Art and Antiques , April 1997.
Lane, Dakota. “Garden of bronze, bluestone, and steel delights.” Woodstock Times , July 17, 1997 .

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Marger, Mary Ann. “Peeling Through the Layers.” St. Petersburg Times, September 26, 1997 .
Milani, Joanne. “Paint's the focus in show at Dunedin Fine Art Center.” The Tampa Tribune , September 4, 1997 .
Purcell, Janet. “Mixing Things up at the Grounds.” The Trenton Times ,January 10, 1997 .
Wasserman, Burton . Art Matters , February 1997.
Zimmer, William. “Crop of New Names, Fields of Sculpture.” The New York Times , August 17, 1997 .

Glueck, Grace. “Don Porcaro.” New York Times , July 5, 1996.
Zimmer, William. “Don Porcaro, Sculpture.” Catalogue essay.
Norklun, Kathi. Elena Zang Gallery, Woodstock Times , August 29, 1996

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Locke, Donald. “Paper Weight.” Creative Loafing , November 18, 1995 .
Melrod, George. “Multimedia Visions of Reality; Artists Explore New Methods of Expression . ” Art and Antiques , December 1994.
Raynor , Vivien. “Exhibit by Italian-Americans Poses Questions About Ethnicity.” New York Times , December 25, 1994.

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Maffei, Nick. guest editor. Appearances Magazine.
“In the Open.” Daily Intelligencer , September 8, 1986.
Brensen, Michael. “What's New Around Town in Outdoor Sculpture.”New York Times Weekend , July 19, 1985.
Grove, Nancy. “Interpretations of the Southwest.” ARTS Magazine , December
Palmer-Poroner, Bruno. “Sculpture Environment.” Artspeak , June 1, 1985.

Glueck , Grace. “A Critic's Guide to Outdoor Sculpture Shows.”New York Times Weekend , June 11, 1982.

MFA, Sculpture, Columbia University , NYC
Montclair State College, Montclair , NJ
BFA, Fine Arts, Fairleigh Dickinson University , Madison , NJ

AWARDS

New York Foundation for the Arts/ New York State Council on the Arts
Faculty Development Grant, Parsons School of Design
Teaching Excellence Award, Parsons School of Design
Faculty Development Grant, Parsons School of Design

CATALOGUES

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“A Coat Of…” Heidi Cho Gallery, New York, NY
“The Object of Time; Charting a Decade.” University Gallery, University of Florida , Gainesville ; Crossley Gallery, Ringling School of Art and Design, Sarasota , FL. Essay by Amy Dickerson.
“Don Porcaro and Leslie Wayne.” Essay by Nadine Wasserman. Samuel
Dorsky Museum of Art, New Paltz , NY .
“Cross Culture.” Global Art Source, Zurich , Switzerland
“Drawing In The Present Tense.” New York , NY
“Spring Exhibition.” Grounds for Sculpture, Hamilton , NJ
“VI Biennale de Sculpture Monte-Carlo.” Monaco , France
“Don Porcaro - Sculpture and Works on Paper.” Essay by William Zimmer.
Kouros Gallery Exhibition, New York , NY
“Associated Media.” Grounds For Sculpture, Hamilton , NJ
“Sculpture Outdoors.” Kouros Sculpture Center , Ridgefield , CT

Ackerman Securities, Atlanta , GA
Barkley & Evergreen, Kansas City , MO
City University of New York , Staten Island
DST Reality, Kansas City , MO
Emory University , Atlanta , GA
Grounds for Sculpture, Trenton , NJ
McBride Medical Center , Oklahoma
The Hay Group, NYC/Philadelphia, PA
The Minet Insurance Corporation, NYC
The New School for Social Research, NYC
The Progressive Corporation, Cleveland , OH
Radford University Art Center , Radford , VA
Rhone-Poulenc Rorer, Inc., Collegeville , PA
South Bay Centre, Gardena , CA
Stowers Institute, Kansas City , MO

TEACHING EXPERIENCE

2003 - 2004 Full Time Faculty/Chair, Fine Arts Department
1999 - 2003 Full Time Faculty/Associate Chair, Fine Arts Department
1984 - 1999 Full Time Faculty, Sculpture, Fine Arts Department
1975 - 1984 Instructor, Undergraduate Sculpture, Fine Arts Department

Farleigh Dickinson University :
1973 - 1974 Instructor, Theater

Other:

Visiting Artist, University of Florida , Gainesville , FL
Visiting Artist, Ringling School of Art and Design, Sarasota , FL

Visiting Artist, Georgia State University , Atlanta , GA
Visiting Artist, Jersey City State College , Jersey City , NJ